Back in the early history of the internet, I believe blogs were supposed to just be sites with links to more sites. Now, blogs are like just about pictures from vacation or feelings or Top 140 lists. But, today, today Steady Mobbin' is gonna be about links to other sites. And then, after today, Steady Mobbin' is going to be about "My Top 25 Feelings I Had About My Pictures From Vacation."
The Olympic Watercube (a.k.a. "Where everyone is going to be swimming at the Beijing Olympics") might be the most awesome looking thing ever, if it winds up looking just like these drawings of what it's supposed to look like.
These dishes look cooler than the ones I got at Ikea.
A Battle of the Planets Movie? Produced by Jerry Bruckheimer? For Disney? Combining CGI and live-action elements? I won't lie, I'm down with the idea. Battle of the Planets ("G-Force" to some) was my first favorite cartoon, I've got very pleasant childhood memories of watching it wrapped in blankets fresh from the dryer in my Alhambra home. And when the internet first came into my life, about all I used it for was looking up stuff about Battle of the Planets.
Beastles, you are no Grey Album.
Fake Mormonads? Somesay best Provonian-humor since the Firearm (RIP).
A few posts ago I sent shout-outs to friendly bloggers, and I totally forgot to plug Kristen and Cory's blog. If you think Steady Mobbin' doesn't have enough pictures of my niece and nephew, then Bruises and Bragging Rights is the place for you.
Sometimes I write a word like "niece" and wonder for a second if I spelled it right, so I type it into dictionary.com, and that's when I find out that "niece" also means "The illegitimate daughter of an ecclesiastic who has taken a vow of celibacy." So, it's like, yeah, I have a niece, but I don't have a niece, if you know what I mean.
Hey! Hey! Did you hear about the turtle that adopted the hippo? Make sure to click on the link to see the other photos, if you want your day to be as warm and fuzzy as it can possibly get from animals without fur.
Also How tall it 5'7"? How tall is 5'8"? Is anyone reading this 5'7" or 5'8" (I'm actually interested in the difference between the two heights)? If you can say "Hey, Brigham, I'm Five-Seven" or "Hey, Brigham, I'm Five-Eight" it'd be greatly appreciated. If you know me, you know I'm always trying to imagine heights. And now that I think about it, how tall is my sister Kristen?
Friday, January 07, 2005
Wednesday, January 05, 2005
Best Bunch of Words about Bunches of Words
Trapped within the depths of finals, it was easy to imagine I'd spend Christmas break reading book after book. But the truth is, I've barely read a thing--mostly, I've been perfecting my Tetris game (and let me tell you I'm getting hotter than ever, don't even bring your Tetris trash talk 'round here if you can't beat Level 15 [for consistency's sake, I've been playing Tetris Worlds on the GBA]). The one book I have read is Neil Labute's new short story collection, "Seconds of Pleasure." I picked it up at the Oak Park Library and I'm really glad we've got such a well-stocked library because otherwise I would have bought this book and I'd be stuck with it. Since he's a fellow Coug, my reaction whenever I come across anything Labutian is to go "Ooh, Neil Labute has a new [book/play/movie/etc.] and I'm drawn in and what do I find? The same really dark, disturbing stories where people are awful awful to each other. But I'll give it to "Seconds of Pleasure," the title is quite fitting because I stuck in out until the end and every now and then I'd go "huh, that story was actually good . . . for a second." But for the most part, I don't understand Mr. Labute obsession with being the Modern Poe of Urban Unpleasentness. [Yet, whenever I walk down Christopher street and pass Fat Pig I can't help but think "Ooh, the new Neil Labute play!"]
Along with "Seconds of Pleasure" I checked out David Foster Wallace's "Oblivion" from the library, too. I've been working on it, but Wallace's maximalism hasn't really caught my attention in this particular volume of short stories. BUT "Oblivion" has made me think about Mr. Foster Wallace a bit (just like bloggin' late at night has had me dashing into the den to catch Blind Date repeats for the first time in a long time.) I think of all the modern authors of the moment, DFW most deserves ridiculous renown. There really are a lot of great authors putting out great stuff right now (the McSweeneys folk and Jonathan Safran Foer, for example) and while, yes, Dave Eggers put out a jealousy-inspiring memoir and started a publishing mini-revolution and Safran Foer's "Everything is Illuminated" is simply stunning (and I mean this not in the way that you'd tell a bride she looks stunning but in the way you might read a book and suddenly be stunned and freeze up and maybe accidentally drop the book as you're being stunned [and, for the record, I heard Safran Foer read a portion of his new novel ("Extremely Loud and Incredibly Close") that's coming out this year and it made "Everything is Illuminated" seem vulgar and inconsequential by comparison--but that's just me using strong words]) and David Sedaris makes us all chuckle good at his stories, David Foster Wallace is a real renaissance man who just shuts things down. Just consider what he's produced, the experimental-fiction compendium (at least that's what I'm calling it) "Brief Interviews With Hideous Men", the spot-on New New Journalism essays of "A Supposedly Fun Thing I'll Never Do Again", the modern monstrosity "Infinite Jest" which I'll never finish yet people around me read and reread and underline and annotate like dude was the new Joyce (I won't go that far), and he's whipped up "Everything and More", his little book on the history of infinity . . . plus, there's "The Girl With Curious Hair" (more short stories) and "The Broom of the System" (which I'm about to start talking about.) [No, I'm not going to link to each of those books, but here's all of them on one page.] While his peers refine themselves in set categories (and prove, as was the case with "Know Our Velocity", that they really ought not venture outside of their better genre's) Foster Wallace has proven himself a reporter, an inventor, a storyteller, and a scholar. All he's got to do is write a children's book and maybe publish a book of photography and he'll have proven he can do it all quite well.
So, anyway, as you may have figured from the paragraph above, Oblivion got me thinking about Mr. David Foster Wallace and I started thinking about his novel, "Broom of the System", which I read in Berkeley, CA and Nashville, TN two years ago after finishing up college and before finishing up the LSAT. I couldn't remember much about the book, except that it was long but I shot through it in no time at all [it's the second-longest book I've read in as short a time possible. The first-longest quick read was "The Amazing Adventures of Kavalier and Clay", so I'll say "Broom of the System" rivals Chabon's ability to tell an enormous tale full of fascinating characters) and that there was a suburban desert in it and it touched on some Wittgenstein. So, tonight, as the great Midwest Snownami (I invented that) began to descend on Lake street, I ducked into Borders to grab myself a new copy of "Broom of the System" (no, the library didn't have it.) I think B.o.S. was out of print for a while, but now it's looking a little thinner and has a prettier cover, so I'm set. As soon as I stop talking about David Foster Wallace, I'll start reading him. And then, maybe I'll tell you why it was I liked B.o.S. enough to read it twice. But no matter what happens, I just tricked you into reading a really, really long post . . . if you really read it. Oh, also, "Broom of the System" was published when DFW was 24, which makes me feel really great about myself and the fact that I haven't finished writing a story for like 4 years now.
And Another Thing did anyone, like, TiVo or DiVo or whatever that new show Committed? 'Cuz I watched some of it and it seemed good, but then I had to go park my car.
Along with "Seconds of Pleasure" I checked out David Foster Wallace's "Oblivion" from the library, too. I've been working on it, but Wallace's maximalism hasn't really caught my attention in this particular volume of short stories. BUT "Oblivion" has made me think about Mr. Foster Wallace a bit (just like bloggin' late at night has had me dashing into the den to catch Blind Date repeats for the first time in a long time.) I think of all the modern authors of the moment, DFW most deserves ridiculous renown. There really are a lot of great authors putting out great stuff right now (the McSweeneys folk and Jonathan Safran Foer, for example) and while, yes, Dave Eggers put out a jealousy-inspiring memoir and started a publishing mini-revolution and Safran Foer's "Everything is Illuminated" is simply stunning (and I mean this not in the way that you'd tell a bride she looks stunning but in the way you might read a book and suddenly be stunned and freeze up and maybe accidentally drop the book as you're being stunned [and, for the record, I heard Safran Foer read a portion of his new novel ("Extremely Loud and Incredibly Close") that's coming out this year and it made "Everything is Illuminated" seem vulgar and inconsequential by comparison--but that's just me using strong words]) and David Sedaris makes us all chuckle good at his stories, David Foster Wallace is a real renaissance man who just shuts things down. Just consider what he's produced, the experimental-fiction compendium (at least that's what I'm calling it) "Brief Interviews With Hideous Men", the spot-on New New Journalism essays of "A Supposedly Fun Thing I'll Never Do Again", the modern monstrosity "Infinite Jest" which I'll never finish yet people around me read and reread and underline and annotate like dude was the new Joyce (I won't go that far), and he's whipped up "Everything and More", his little book on the history of infinity . . . plus, there's "The Girl With Curious Hair" (more short stories) and "The Broom of the System" (which I'm about to start talking about.) [No, I'm not going to link to each of those books, but here's all of them on one page.] While his peers refine themselves in set categories (and prove, as was the case with "Know Our Velocity", that they really ought not venture outside of their better genre's) Foster Wallace has proven himself a reporter, an inventor, a storyteller, and a scholar. All he's got to do is write a children's book and maybe publish a book of photography and he'll have proven he can do it all quite well.
So, anyway, as you may have figured from the paragraph above, Oblivion got me thinking about Mr. David Foster Wallace and I started thinking about his novel, "Broom of the System", which I read in Berkeley, CA and Nashville, TN two years ago after finishing up college and before finishing up the LSAT. I couldn't remember much about the book, except that it was long but I shot through it in no time at all [it's the second-longest book I've read in as short a time possible. The first-longest quick read was "The Amazing Adventures of Kavalier and Clay", so I'll say "Broom of the System" rivals Chabon's ability to tell an enormous tale full of fascinating characters) and that there was a suburban desert in it and it touched on some Wittgenstein. So, tonight, as the great Midwest Snownami (I invented that) began to descend on Lake street, I ducked into Borders to grab myself a new copy of "Broom of the System" (no, the library didn't have it.) I think B.o.S. was out of print for a while, but now it's looking a little thinner and has a prettier cover, so I'm set. As soon as I stop talking about David Foster Wallace, I'll start reading him. And then, maybe I'll tell you why it was I liked B.o.S. enough to read it twice. But no matter what happens, I just tricked you into reading a really, really long post . . . if you really read it. Oh, also, "Broom of the System" was published when DFW was 24, which makes me feel really great about myself and the fact that I haven't finished writing a story for like 4 years now.
And Another Thing did anyone, like, TiVo or DiVo or whatever that new show Committed? 'Cuz I watched some of it and it seemed good, but then I had to go park my car.
Monday, January 03, 2005
Best Family-Oriented Content of the Year
You know what's totally back in for 2005? Getting your Eagle Scout Award, if you're a Barnes family boy. It's like your bar mitzvah or something. Only 13 or 14 years after I got mine, my brother Owen just had his Court of Honor tonight . . . and for some reason, I think it's really, really blogworthy.
Here you'll see the Barnes family Scouts: Greg, Owen, and Me (as you can see, my mother dug up an unused Boy Scout uniform for me to wear.)
In case you didn't notice from the picture, Owen just got his Eagle.
And I've had my Eagle forever.
But Greg? No Eagle. Yet. He's just a Life Scout. Ha! Just a Life!
And here's the whole family (like I said, it was like a Barnes family Bar Mitzvah, everyone came out for it.)
Also Perhaps you have read in a magazine at a dentist's office about how Bloggin' is the big thing these days. I suppose it is, I mean, something has to be, right? But, f'real, everyone's a stinkin' blogger these days. Mary and Emily have recently begun bloggin (If I were named Mary, my blog would be called "Mary, Mary . . . why you bloggin'? Don't get it? You must not have listened to Run DMC on their way out of style. Click.), and Sariah's been bloggin for a while now (I expect you all to know this). And, as I said before, the Mulcock boys have a site of their own, and Matt and Mike Lemmon have websites, not that they update them much or anything.
Here you'll see the Barnes family Scouts: Greg, Owen, and Me (as you can see, my mother dug up an unused Boy Scout uniform for me to wear.)
In case you didn't notice from the picture, Owen just got his Eagle.
And I've had my Eagle forever.
But Greg? No Eagle. Yet. He's just a Life Scout. Ha! Just a Life!
And here's the whole family (like I said, it was like a Barnes family Bar Mitzvah, everyone came out for it.)
Also Perhaps you have read in a magazine at a dentist's office about how Bloggin' is the big thing these days. I suppose it is, I mean, something has to be, right? But, f'real, everyone's a stinkin' blogger these days. Mary and Emily have recently begun bloggin (If I were named Mary, my blog would be called "Mary, Mary . . . why you bloggin'? Don't get it? You must not have listened to Run DMC on their way out of style. Click.), and Sariah's been bloggin for a while now (I expect you all to know this). And, as I said before, the Mulcock boys have a site of their own, and Matt and Mike Lemmon have websites, not that they update them much or anything.
I Steal Only the Best for You, Dear Reader
Here's a picture of Mary-Kate and Ashley Olsen singing "Jesse's Girl" with John Stamos on New Years Eve. Yeah, that's Michelle(s) and Uncle Jesse gettin' down in Miami. Wild.
Stolen, wickedly and blatently, from epiclylaterd.com, the website of some photographer guy that hangs out with Jason Dill and Chloe Sevigny all the time.
Stolen, wickedly and blatently, from epiclylaterd.com, the website of some photographer guy that hangs out with Jason Dill and Chloe Sevigny all the time.
Friday, December 31, 2004
Best Brief Christmas Rundown
I haven't had a lot to say lately. I haven't been doing too much on this vacation, and that was the plan on all along. But here's some pictures of some stuff that has happened (as you can see, I've been keeping it pretty casual around the house.) First of all, I got a Millenium Falcon for Christmas. Just when you thought my apartment couldn't get any more awesome, how does it feel to know I'll soon have a Millenium Falcon there, sitting on my bookshelf?
Also, since coming home, I've been trying to teach the dog a new trick: letting me hold her. Training has consisted of various stages of trust-building (as seen here):
And actual dog-holding:
Now, remember, I didn't say anything in my first paragraph about this post being interesting. But if you knew our idiot dog, you'd understand how much I've accomplished here.
Also, since coming home, I've been trying to teach the dog a new trick: letting me hold her. Training has consisted of various stages of trust-building (as seen here):
And actual dog-holding:
Now, remember, I didn't say anything in my first paragraph about this post being interesting. But if you knew our idiot dog, you'd understand how much I've accomplished here.
Wednesday, December 29, 2004
Best Contrarian Best of List
The year is dying, and that means everyone is posting their Best of 2004 lists, and for the most part, Best of 2004 lists don't look so different from each other--particularly Best Album lists, particularly when those Best Album lists are put together by internet coolsters. You see a lot of repeated favorites, which makes sense, because there's only so much music all the cool people in the world can be listening too, and since we all know how cool I think I am, if I were to make an official list of my favorite records of the year, it wouldn't be super different either except for a few records that I disagree with very much. So, here's my list of "Albums of 2004 that I'm Saying Weren't as Hot as Other People Say they Are."
Air, "Talkie Walkie" First of all, every time I see this record on a Best of the Year list, I'm just dumb with disbelief. I can't believe people even remembered this record existed, let alone remembered it to be one of their favorites of the year. Here's my brief history of Air records: Moon Safari comes out, everyone says "Ooh!", we're introduced to chill French-electro. I loved this record so hard from 1998-2000, I probably have no idea how much I really listened to it. Then Premiere Symptomes comes out, its a collection of pre-Moon Safari tracks, but it sounds like Moon Safari, and I totally dig it for all of 2000. Also, the Virgin Suicides score comes out, and its good, but all the tracks are too short, although "Playground Love" is a dope track. Right now we've got three records worth of chill French-electro, everyone's cool with it. Then, summer of 2001, the 10,000 Hz Legend comes out. It's like Air's version of Midnight Vultures, it's a total turn-off, the kind of record that at first is panned by critics, then embraced, then panned again when everyone gets their senses together. 2004, Talkie Walkie comes out, its a return to the mellow French-electro we liked on the first three records, with a few twists, a little this, a little that, but guess what? We loved those mello records back in 2000, its 2004 now, Air records age as well as a Nine Inch Nails record. No thanks, Air. I don't need any mellow French-electro right now, and I really don't need car commercials set to the tune of "Surfing on a Rocket." So not a best record of the year.
Madvillain, "Madvillainy" What? I'm calling the year's most popular underground hip-hop collabo a not-the-best-record-of-the-year? Yes. I am calling it that. I was as into this record as anyone else when it first came out, mostly because I wanted to be into streetlevel stuff SO BAD (still do, I guess) but it doesn't hold up to the multiple listens. While the tracks are short and the record is skit-free, 1/3 of it is still nearly unlistenable, and MF DOOM really doesn't rap that much, like, 10 lines a song, maybe. I got into this record because of the throw-back Silver Age Marvel lookin'-video to "ALL CAPS", and I think I'll always like that track and a few others, but just because we all bought this records and listened to it a few times doesn't mean we have to have it on every Best of the Year List. If I was going to pick an indie-rap collab for 2004, it'd definitely be "Ghetto Pop Life" from Dangermouse and Jemini. SO much hotter than Madvillainy. And for an indie-rap solo record, "Tellicatessan" by Rob Sonic. But I'm not hating Madvillainy (I was hating Talkie Walkie, in case that wasn't clear) and I hope any rapper who wears a metal mask finds all the success he deserves, especially when putting out records as "Viktor Vaughn" because that's the best comic-book insider nod I've ever come across in a record store.
Futureheads, "Futureheads" I saw these guys live this year and they brought the fun and made the crowd move. But their record is dead in the water, brings none of the love I felt from their show. Putting this record in a Best of List is like trying to show you were struck by the Franz Ferdinand lightning twice. I bet you're wondering if I'm going to be putting down Franz Ferdinand on this list . . . nope, not gonna. That record really was something, it set something off back in March, some balls really got rolling, people liked it, and I feel that if you live in a land where you're not killing yourself to be into the next big thing as soon as possible at all moments, in those lands Franz Ferdinand can be your next-big-thing for a long time.
The Arcade Fire, "Whatever the Arcade Fire Record is Called" I haven't listened to this record, but it topped lots of lists. I don't know how, they played some soldout shows at the Mercury Lounge and the whole world is losing their mind and this record is topping lists off left and right and I just don't feel I have the energy to be an expert on it. I thought I heard this band has a whole lot of members in it? How can a big band be good? Whatever. If this is your favorite record of the year, then you really, really love being into the hot new music. If this is your favorite record of the year, then you must have seen Franz Ferdinand at Maxwell's last February and laugh at how popular "Take Me Out" still is in Chicago. I, however, thought I could get around to listening to the Arcade Fire and Bloc Party until later on, and now, look. Arcade Fire is everyone's favorite record. If I was going to pick a record from the end of the year by a band with some buzz to go nuts over, I'd pick Death From Above 1979's "You're a Woman, I'm a Machine." To imagine the total amazingness of this record, imagine the White Stripes, but with two Meg Whites instead of a Jack White and a Meg White, and you're headed in the right direction. It has the loudness going for it.
Scissor Sisters, "Scissor Sisters" No, no, no, no, no, no, no. Not cool. Maybe if the whole record was as good as their "Comfortably Numb" cover (definitely one of my #1 Joints of 2004) but it isn't. It's just piano-y songs. These guys should be a weird European techno band that makes one song that gets totally popular in Mexico (that would be "Comfortably Numb") and then no one ever figures out what they were all about, not some band that winds up on SNL in their overalls singing "Take Your Mama Out" or whatever it was called.
The Walkmen, "Bows + Arrows" When this record came out I loved it I drained my iPod listening to it. I also loved the Secret Machines record when it came out. Now, we're reading best of 2004 lists. Bows + Arrows is all up on them, but not Secret Machines. How come one record gets all the love and the other's forgotten? Don't tell me its 'cuz Bows + Arrows is a masterpiece that will be remembered forever, because they're both just rock records. I'm sorry. Maybe I'd still be in love with this record if the Walkmen concert I went to wasn't an encore-palooza. "The Rat", however, was another Top Joint of 2004.
Dizzee Rascal, "Showtime" C'mon, no one really liked this record that much, did they? It had two stand-out tracks ("Stand Up Tall", which set my brain on fire the first time I heard it, and "Dreams") and the rest doesn't sound all that different from "Boy in the Corner" (and you can take that to mean "The rest of the record is difficult to listen to.") And I say this as a guy who has seen Dizzee Rascal twice and would see him again. If you're going to make Showtime one of your favorite records of the year, did you even listen to Rob Sonic?
And Exactly what Best of 2004 lists do I refer myself to here? Pitchfork's mostly, of course. And Stereogum, Tiny Mix Tapes, some others, I dunno, dig around a bit.
I believe I've painted myself into a corner where I'll need to be producing a list of my "Most Slammin' Jams of 2004." I'll try to do that by 2005. It's my end of the year resolution.
Air, "Talkie Walkie" First of all, every time I see this record on a Best of the Year list, I'm just dumb with disbelief. I can't believe people even remembered this record existed, let alone remembered it to be one of their favorites of the year. Here's my brief history of Air records: Moon Safari comes out, everyone says "Ooh!", we're introduced to chill French-electro. I loved this record so hard from 1998-2000, I probably have no idea how much I really listened to it. Then Premiere Symptomes comes out, its a collection of pre-Moon Safari tracks, but it sounds like Moon Safari, and I totally dig it for all of 2000. Also, the Virgin Suicides score comes out, and its good, but all the tracks are too short, although "Playground Love" is a dope track. Right now we've got three records worth of chill French-electro, everyone's cool with it. Then, summer of 2001, the 10,000 Hz Legend comes out. It's like Air's version of Midnight Vultures, it's a total turn-off, the kind of record that at first is panned by critics, then embraced, then panned again when everyone gets their senses together. 2004, Talkie Walkie comes out, its a return to the mellow French-electro we liked on the first three records, with a few twists, a little this, a little that, but guess what? We loved those mello records back in 2000, its 2004 now, Air records age as well as a Nine Inch Nails record. No thanks, Air. I don't need any mellow French-electro right now, and I really don't need car commercials set to the tune of "Surfing on a Rocket." So not a best record of the year.
Madvillain, "Madvillainy" What? I'm calling the year's most popular underground hip-hop collabo a not-the-best-record-of-the-year? Yes. I am calling it that. I was as into this record as anyone else when it first came out, mostly because I wanted to be into streetlevel stuff SO BAD (still do, I guess) but it doesn't hold up to the multiple listens. While the tracks are short and the record is skit-free, 1/3 of it is still nearly unlistenable, and MF DOOM really doesn't rap that much, like, 10 lines a song, maybe. I got into this record because of the throw-back Silver Age Marvel lookin'-video to "ALL CAPS", and I think I'll always like that track and a few others, but just because we all bought this records and listened to it a few times doesn't mean we have to have it on every Best of the Year List. If I was going to pick an indie-rap collab for 2004, it'd definitely be "Ghetto Pop Life" from Dangermouse and Jemini. SO much hotter than Madvillainy. And for an indie-rap solo record, "Tellicatessan" by Rob Sonic. But I'm not hating Madvillainy (I was hating Talkie Walkie, in case that wasn't clear) and I hope any rapper who wears a metal mask finds all the success he deserves, especially when putting out records as "Viktor Vaughn" because that's the best comic-book insider nod I've ever come across in a record store.
Futureheads, "Futureheads" I saw these guys live this year and they brought the fun and made the crowd move. But their record is dead in the water, brings none of the love I felt from their show. Putting this record in a Best of List is like trying to show you were struck by the Franz Ferdinand lightning twice. I bet you're wondering if I'm going to be putting down Franz Ferdinand on this list . . . nope, not gonna. That record really was something, it set something off back in March, some balls really got rolling, people liked it, and I feel that if you live in a land where you're not killing yourself to be into the next big thing as soon as possible at all moments, in those lands Franz Ferdinand can be your next-big-thing for a long time.
The Arcade Fire, "Whatever the Arcade Fire Record is Called" I haven't listened to this record, but it topped lots of lists. I don't know how, they played some soldout shows at the Mercury Lounge and the whole world is losing their mind and this record is topping lists off left and right and I just don't feel I have the energy to be an expert on it. I thought I heard this band has a whole lot of members in it? How can a big band be good? Whatever. If this is your favorite record of the year, then you really, really love being into the hot new music. If this is your favorite record of the year, then you must have seen Franz Ferdinand at Maxwell's last February and laugh at how popular "Take Me Out" still is in Chicago. I, however, thought I could get around to listening to the Arcade Fire and Bloc Party until later on, and now, look. Arcade Fire is everyone's favorite record. If I was going to pick a record from the end of the year by a band with some buzz to go nuts over, I'd pick Death From Above 1979's "You're a Woman, I'm a Machine." To imagine the total amazingness of this record, imagine the White Stripes, but with two Meg Whites instead of a Jack White and a Meg White, and you're headed in the right direction. It has the loudness going for it.
Scissor Sisters, "Scissor Sisters" No, no, no, no, no, no, no. Not cool. Maybe if the whole record was as good as their "Comfortably Numb" cover (definitely one of my #1 Joints of 2004) but it isn't. It's just piano-y songs. These guys should be a weird European techno band that makes one song that gets totally popular in Mexico (that would be "Comfortably Numb") and then no one ever figures out what they were all about, not some band that winds up on SNL in their overalls singing "Take Your Mama Out" or whatever it was called.
The Walkmen, "Bows + Arrows" When this record came out I loved it I drained my iPod listening to it. I also loved the Secret Machines record when it came out. Now, we're reading best of 2004 lists. Bows + Arrows is all up on them, but not Secret Machines. How come one record gets all the love and the other's forgotten? Don't tell me its 'cuz Bows + Arrows is a masterpiece that will be remembered forever, because they're both just rock records. I'm sorry. Maybe I'd still be in love with this record if the Walkmen concert I went to wasn't an encore-palooza. "The Rat", however, was another Top Joint of 2004.
Dizzee Rascal, "Showtime" C'mon, no one really liked this record that much, did they? It had two stand-out tracks ("Stand Up Tall", which set my brain on fire the first time I heard it, and "Dreams") and the rest doesn't sound all that different from "Boy in the Corner" (and you can take that to mean "The rest of the record is difficult to listen to.") And I say this as a guy who has seen Dizzee Rascal twice and would see him again. If you're going to make Showtime one of your favorite records of the year, did you even listen to Rob Sonic?
And Exactly what Best of 2004 lists do I refer myself to here? Pitchfork's mostly, of course. And Stereogum, Tiny Mix Tapes, some others, I dunno, dig around a bit.
I believe I've painted myself into a corner where I'll need to be producing a list of my "Most Slammin' Jams of 2004." I'll try to do that by 2005. It's my end of the year resolution.
Monday, December 27, 2004
Best Killing of the Time
My sitemeter is blowing up, Steady Mobbin' is getting non-stop visitors, and this can only mean one thing: people want content! They're wondering if I'm ever going to post again after Christmas. And most of these visitors are visiting from within my own house, using the very computer I'm sitting at. Trying to come up with content under these conditions is like trying to use the bathroom with someone watching, but here, here's something.
I'm a little bored. I've been waking up, eating, and napping. But I just discovered that there are lots of new movie trailers at the Apple website, so I'm going to evaluate them. This should be good, for a couple of minutes.
The Wedding Crashers looks like a buddy movie starring Owen Wilson and Vince Vaughan as guys who sneak into weddings that they aren't invited to to meet girls. Reminds me of a similar plan buddy Andrew and I had one summer when Ashley and Melanie were working as wedding caterers. We were thinking we'd spend all summer going to wedding receptions, for dessert, mostly . . . and for that feeling of having snuck into something. We didn't do it once.
The Longest Yard Adam Sandler stars in this remake of "The Waterboy." I did some licensing of songs for this film . . . am I allowed to talk about that? You always hear about "Attorney/Client privilege." Is that what I'm violating whenever I say, "Yeah, I licensed some songs for that." Naw, they couldn't possibly be talking about that.
The Pink Panther Here's what we know: Steve Martin's take on the Pink Panther films is going to be awful, how can it not be? Yet the trailer doesn't immediately betray any of that awfulness to a complete degree. This I take to be clever marketing, if you want to know how terrible this movie is, you're going to have see it yourself. It's like how they wouldn't show Godzilla in the Godzilla trailers and advertisements at first.
The Chronicles of Narnia not a true trailer, but a behind the scenes thing. Blah blah blah we're Weta blah blah blah, you'll remember us from Lord of the Rings blah blah blah look how authentic we're making everything for the Centaurs blah blah blah this movie is going to have kids in it blah blah blah magical memories from your childhood blah blah blah. Because of the Chronicles of Narnia I bought a piece of Turkish Delight in Edinburgh and it was gross.
Kicking and Screaming Will Farrell acting ridiculous and yelling at kids and grown ups? Sure, why not.
Sin City You have to really, really be into comics from the 90s to even pretend that this looks interesting. Robert Rodriguez doesn't really make good movies, and yeah, Frank Miller wrote this . . . but he also wrote Robocop 2&3.
Dark Water These Japanese-influenced horror movies have gone too far. Jennifer Connelly, she moves into a new apartment . . . and it's leaky!
Rebound I clicked the link to see what this movie was, and as soon as I saw the picture of Martin Lawrence holding the basketball too high for the kids to reach it and looking all grouchy, I just couldn't bring myself to click to watch the trailer.
Racing Stripes Do you want to want to die? Watch this trailer. I saw it in the theater this week, I almost didn't stay around to watch the movie. Good thing they played the Star Wars Trailer right after it.
Ong Bak I saw Hero, and it was boring, and billowy, and all they did was talk about their feelings. I refuse to see another martial arts film where everything is beautiful and billowy and they just talk about their feelings the whole time, that's why I'm not even curious to find out what House of Flying Daggers is about. This trailer gives me faith in fighting movies again. And how. And here's another trailer for it, just in case that first didn't make you die from awesome. Can you believe the kicking this guy does? I can't wait for him to star in a buddy movie with a wisecrackin' comedian.
I'm a little bored. I've been waking up, eating, and napping. But I just discovered that there are lots of new movie trailers at the Apple website, so I'm going to evaluate them. This should be good, for a couple of minutes.
The Wedding Crashers looks like a buddy movie starring Owen Wilson and Vince Vaughan as guys who sneak into weddings that they aren't invited to to meet girls. Reminds me of a similar plan buddy Andrew and I had one summer when Ashley and Melanie were working as wedding caterers. We were thinking we'd spend all summer going to wedding receptions, for dessert, mostly . . . and for that feeling of having snuck into something. We didn't do it once.
The Longest Yard Adam Sandler stars in this remake of "The Waterboy." I did some licensing of songs for this film . . . am I allowed to talk about that? You always hear about "Attorney/Client privilege." Is that what I'm violating whenever I say, "Yeah, I licensed some songs for that." Naw, they couldn't possibly be talking about that.
The Pink Panther Here's what we know: Steve Martin's take on the Pink Panther films is going to be awful, how can it not be? Yet the trailer doesn't immediately betray any of that awfulness to a complete degree. This I take to be clever marketing, if you want to know how terrible this movie is, you're going to have see it yourself. It's like how they wouldn't show Godzilla in the Godzilla trailers and advertisements at first.
The Chronicles of Narnia not a true trailer, but a behind the scenes thing. Blah blah blah we're Weta blah blah blah, you'll remember us from Lord of the Rings blah blah blah look how authentic we're making everything for the Centaurs blah blah blah this movie is going to have kids in it blah blah blah magical memories from your childhood blah blah blah. Because of the Chronicles of Narnia I bought a piece of Turkish Delight in Edinburgh and it was gross.
Kicking and Screaming Will Farrell acting ridiculous and yelling at kids and grown ups? Sure, why not.
Sin City You have to really, really be into comics from the 90s to even pretend that this looks interesting. Robert Rodriguez doesn't really make good movies, and yeah, Frank Miller wrote this . . . but he also wrote Robocop 2&3.
Dark Water These Japanese-influenced horror movies have gone too far. Jennifer Connelly, she moves into a new apartment . . . and it's leaky!
Rebound I clicked the link to see what this movie was, and as soon as I saw the picture of Martin Lawrence holding the basketball too high for the kids to reach it and looking all grouchy, I just couldn't bring myself to click to watch the trailer.
Racing Stripes Do you want to want to die? Watch this trailer. I saw it in the theater this week, I almost didn't stay around to watch the movie. Good thing they played the Star Wars Trailer right after it.
Ong Bak I saw Hero, and it was boring, and billowy, and all they did was talk about their feelings. I refuse to see another martial arts film where everything is beautiful and billowy and they just talk about their feelings the whole time, that's why I'm not even curious to find out what House of Flying Daggers is about. This trailer gives me faith in fighting movies again. And how. And here's another trailer for it, just in case that first didn't make you die from awesome. Can you believe the kicking this guy does? I can't wait for him to star in a buddy movie with a wisecrackin' comedian.
Saturday, December 25, 2004
Best Kept Little Secret on the Internet
Merry Christmas, Mom and Dad! Guess what? I've been bloggin' for the past seven months, and, if Kristen and Cory really can keep a secret (and I don't really know where I really stand on that possibility, I'm just so clever, I can imagine Kristen slipping up during a moment of weakness), you aren't finding out about it until right now. While I'm sure you'd probably like to read through this whole magical site full of secrets right away, let me just warn you: if you dig too deep, many of the great surprises I've got planned for your visit to New York will be ruined. So I urge you, hold back, explore no deeper than October. Three months worth of stuff, that's still a lot to get to see.
And to my regular readers: Yes. I really hadn't told my folks about Steady Mobbin' until now. Yes, I am that awful.
And to my regular readers: Yes. I really hadn't told my folks about Steady Mobbin' until now. Yes, I am that awful.
Wednesday, December 22, 2004
Worst.
I'd been working on a new post for the last 30 minutes when, all of a sudden, my computer committed momentary suicide. If Blogger were magical, it'd have an autosave feature. But Blogger isn't magical, so all is lost until I feel like writing it again.
Monday, December 20, 2004
Best Year and a Half Under the Belt
Well, I've finished my final final of the semester, that means, in the grand scheme of things, I'm halfway to gettin' my cap n gown on like Young Hov here.
Me and Jay share school colors. Imagine that.
Me and Jay share school colors. Imagine that.
Sunday, December 19, 2004
Best Quote from a Red Tyrant
One more final to go and I think I'm going to die. I'm absolutely ragged. I could barely sit through church today. I'm home now, finding a great amount of comfort in my music collection . . . it makes me think of this Lenin quote. Lenin.
But I can't listen to music too often. It affects your nerves, makes you want to say stupid, nice things, and stroke the heads of people who could create such beauty while living in this vile hell.
Of course, he was refering to Beethoven's sonatas. Me, my nerves are being affected by Death from Above 1979, Buddy Holly, and the Smiths right now. But in less than 33 hours, I shall be free.
But I can't listen to music too often. It affects your nerves, makes you want to say stupid, nice things, and stroke the heads of people who could create such beauty while living in this vile hell.
Of course, he was refering to Beethoven's sonatas. Me, my nerves are being affected by Death from Above 1979, Buddy Holly, and the Smiths right now. But in less than 33 hours, I shall be free.
Friday, December 17, 2004
Best Home for a Billionaire?
In a certain sense, the interweb is all abuzz this morning over the announcement that Rupert Murdoch is buying Laurence A. Rockefeller's triplex penthouse at 834 Fifth Avenue. Murdoch is paying $44 million dollars for the 20 room, 8,000 square foot residence, which breaks the city record for "most ever paid for an apartment" (the previous record: $42.25 million for two condos made into one at the Time Warner Center by David Martinez, a Mexican-British finance person.)
But is Murdoch's crib-to-be the most expensive residence on the market in New York? Hardly. Consider the $77 million "Penthouse at the Pierre" on 5th Avenue. Like Ozymandias said, "Look on My Works, ye Mighty, and despair!"
Also, there were Elizabeth Johnson's three floors at the Trump International--5 units that she combined into one, decided she didn't want to live in, and then tried to sell for $62.3 million. But that didn't go so well, so they were divided up again into multiple units with an aggregate price of $66 million.
The NY Observer had a good article when the Rockefeller/Murdoch apartment went on sale.
Brown Harris Stevens (the same company that's selling the Penthouse at the Pierre) brokered the Rockefeller/Murdoch apartment, but there's no listing for it on their site.
Thursday, December 16, 2004
Best Journey Through Mystery
I'm taking a 24 hr. Take-Home Final Examination in Evidence right now. Yes, as I type, I am taking a test. Sort of. With 13 hours left to go on the test, I am officially "done" and by "done" I mean I that tomorrow morning I'm rewriting this one paragraph and going over the thing for any hellish errors. Otherwise, my scholarly education in the field of Evidence is through.
Let me walk you through all the things that a 24 hr. Take-Home Can Be:
10:00 AM: I decide that, instead of starting the test right away (which I could take at any time, but I've already decided Thursday is all about the Evidence)I should go across the street for breakfast. A nice, big breakfast at the diner with a newspaper, too. I really want pancakes. And sausage. I get to the diner, and soon my hunger for pancakes and sausage swells up into hunger for the "Lumberjack Breakfast." So there I am, working at a great big pile of eggs, meats, and pancakes for a pretty long time.
12:02PM: That's the time my computer tells me that I officially started working on my final. There were lots of things to read ahead of time, and my internet stopped working for a little bit. (You see, I had to use the internet to download the test, and that starts the 24-hr ticker.)
12:42PM: I'm getting the hang of the fact pattern and then all of a sudden, BAM! My lumberjack breakfast hits me. I can't keep my eyes open. I roll over and sleep, for a little bit. (Yes, "roll over", that means I was doing my test while lying on my bed.
1:11ishPM: I'm awake, I start with my answers, but I'm just not feelin' it. My apartment just isn't the place. I better go to school. Yes, it was my option to take the test home, and now I'm taking it back to school.
1:30PM: Run into Bryant, Nate, and Ajay. They're on their way home from celebrating finishing their Tax Final with some Johnny Rockets. That's how you celebrate finishing law school finals. I find myself talking to Ajay for a while, a good while, and then I head to school. For real.
2:00PM: Now I'm at school. And I have to check my email, and maybe read the news a bit, and play a little RocketMania, but then I really start. I really, really start being an Evidence genius, hardcore.
Okay I'll admit that "being an Evidence genius, hardcore" doesn't prohibit numerous bathroom breaks and several additional games of RocketMania.
6:00PM: Starting to get hungry, starting to get tired of writing . . . but if I just answer three more questions, then I'll be done with the biggest part of the test, just hang in there, man.
7:00PM: Done! (With the big part.) I can't believe it. I made myself sit down and do it, and I did it. I run out for a quick bite, and a little re-energizing. Maybe I'll go to the Dumpling House on Eldridge.
9:45PM: Crap. Right after I left school I got a call from a friend in the neighborhood and we decided to meet up for a little grub at this Indian Place and no joke it took an hour for our food to arrive. And an hour to eat it. And we had to walk down some neat West Village streets, too. But now, now I am back to school. So glad that I just have the little part left.
10:45PM: And the little part is done. With time to spare. But now I'm just repeating what I said in the top paragraph.
So, yeah, sorry. That's all you're getting from Steady Mobbin' today, a rundown on the first 11 or so hours of my 24 hour take home final. Yes, the numbers might not add up right, but I am certain that this thing has to be turned in by 12:02 tomorrow. That much I know is true.
Let me walk you through all the things that a 24 hr. Take-Home Can Be:
10:00 AM: I decide that, instead of starting the test right away (which I could take at any time, but I've already decided Thursday is all about the Evidence)I should go across the street for breakfast. A nice, big breakfast at the diner with a newspaper, too. I really want pancakes. And sausage. I get to the diner, and soon my hunger for pancakes and sausage swells up into hunger for the "Lumberjack Breakfast." So there I am, working at a great big pile of eggs, meats, and pancakes for a pretty long time.
12:02PM: That's the time my computer tells me that I officially started working on my final. There were lots of things to read ahead of time, and my internet stopped working for a little bit. (You see, I had to use the internet to download the test, and that starts the 24-hr ticker.)
12:42PM: I'm getting the hang of the fact pattern and then all of a sudden, BAM! My lumberjack breakfast hits me. I can't keep my eyes open. I roll over and sleep, for a little bit. (Yes, "roll over", that means I was doing my test while lying on my bed.
1:11ishPM: I'm awake, I start with my answers, but I'm just not feelin' it. My apartment just isn't the place. I better go to school. Yes, it was my option to take the test home, and now I'm taking it back to school.
1:30PM: Run into Bryant, Nate, and Ajay. They're on their way home from celebrating finishing their Tax Final with some Johnny Rockets. That's how you celebrate finishing law school finals. I find myself talking to Ajay for a while, a good while, and then I head to school. For real.
2:00PM: Now I'm at school. And I have to check my email, and maybe read the news a bit, and play a little RocketMania, but then I really start. I really, really start being an Evidence genius, hardcore.
Okay I'll admit that "being an Evidence genius, hardcore" doesn't prohibit numerous bathroom breaks and several additional games of RocketMania.
6:00PM: Starting to get hungry, starting to get tired of writing . . . but if I just answer three more questions, then I'll be done with the biggest part of the test, just hang in there, man.
7:00PM: Done! (With the big part.) I can't believe it. I made myself sit down and do it, and I did it. I run out for a quick bite, and a little re-energizing. Maybe I'll go to the Dumpling House on Eldridge.
9:45PM: Crap. Right after I left school I got a call from a friend in the neighborhood and we decided to meet up for a little grub at this Indian Place and no joke it took an hour for our food to arrive. And an hour to eat it. And we had to walk down some neat West Village streets, too. But now, now I am back to school. So glad that I just have the little part left.
10:45PM: And the little part is done. With time to spare. But now I'm just repeating what I said in the top paragraph.
So, yeah, sorry. That's all you're getting from Steady Mobbin' today, a rundown on the first 11 or so hours of my 24 hour take home final. Yes, the numbers might not add up right, but I am certain that this thing has to be turned in by 12:02 tomorrow. That much I know is true.
Wednesday, December 15, 2004
Best Tuesday Night Miscellany
First of All New Yorkers, did you noticed that someone tagged-up our city with the word "Utah" over the summer? I've seen "Utah" on Bowery (or was it 2nd Ave?) near Houston?, where I took this photo. And I saw "Utah" somewhere in Soho very close to Canal street, and I saw it (multiple times on one building) in midtown on 2nd Avenue near the tunnel, I even saw it in the background of the Beastie Boys' "Check It Out" video the one time I watched it all the way through. So, who could this Utah be? Why did he choose Utah as his moniker? And most of all, I know Utah, so is it possible I could know Utah? Pro'ly not.
Next of All You know how some people refer to horse races as "the ponies"? Like, "Stan's down at the ponies" or "Do you like the ponies, Stan?" What if people referred to dog races as "the puppies"? Like, "Stan's down at the puppies" or "Do you like the puppies, Stan?" Just a question.
Last of All Not the best manners in the world to be posting personal emails I've received, but my buddy Jeff, the Columbia Lion and Sullivan and Cromwell Associate-to-Be sent me this message after getting home from the Pixies tonight:
they were too good I couldn't handle it. every song I love was played. except I really, really really would have liked to hear"dig for fire" but I guess 90 minutes only lasts so long.
how rockin was tame?
Ras
Pixies concerts. Officially the Official Respite of Takers of Law School Finals.
Tuesday, December 14, 2004
Best Little Mid-Finals Rock-Out
First of all, my corporations final? Really weird. Three questions (pretty standard for law school) with four hours to answer them (also pretty standard). The questions were fairly tricky in their wording, but if you just stared at them long enough, you'd eventually see very simple, direct problems with very straightforward answers readily extractible from one's notes. And that's all I had to do for that final, read the questions until they made sense, then find the right bits and pieces in my notes, and that was it. Also, I don't know why I was up all night getting Insider Trading straight yesterday, there wasn't a single question on it . . . had I known it was going to go like this, I wouldn't have had to have bailed on this Christmas party in Brooklyn that I had to bail on. Seriously, if the party throwers are reading this, for what it's worth: I'm really, really sorry I couldn't make it. I really, really wanted to go. I hope I get to prove my ability to attend parties when the next decent holiday rolls around. Back to the test: Perhaps I'm finally figuring out how to study for law school and how to take tests for law school, or maybe I just completely failed a test without any clue that I was doing so poorly.
And now, the Rock.
The fact that Pixies have sold-out 8 concerts (on 7 nights) at the Hammerstein Ballroom has to be some sort of record, it just has to. And the Hammerstein is a pretty big place, 8 sold-out Hammerstein gigs have got to equal one Madison Square Garden, right? But who wants to wind up in the upper reaches of the Garden when you can sneak like a coolmando right up as close to the stage as possible and witness this great early 90's four-piece in all their mid-00's glory? Let the informal concert reviewing begin.
First off, big, big line to get into the show tonight. It stretched down 34th Street in various segments, I'd never seen anything like it at the Hammerstein and don't really know what it was all about because once we got into the show it wasn't terribly crowded (and there had been a lot of people in front of us) and we were able (We? Meddling Sariah and I) to get pretty close to the stage . . . and every time someone slipped out to grab a beer, we were able to slip even closer to the stage. But, seriously, in two paragraphs pretty much all I've been able to talk about has been getting closer to the stage.
Tonight's (I'm talking about Dec 13 here) opening act was the totally old dudes from Mission of Burma, a band from like the 80s or something who I don't know anything about, but they've reunited in 2004, just like the Pixies, and they weren't bad at all. In fact, they were quite good and they really knew their place (something to hold the masses over until it was time for the Pixies) but it was clear that there were a number of certifiable Mission of Burma fans in the audience very pleased with the performance. I bet if I worked at a record store, like at a medium-cool record store ala 2nd Hand Tunes or Val's Halla Records back home in Oak Park, I would be the biggest Mission of Burma fan and I'd always be trying to get people to buy Mission of Burma or Husker Du records.
I had heard that the Pixies took the stage Sunday night at 9:15 and that's pretty much on the dot when they came out tonight. I hadn't expected Black Francis to be so fat. Or Kim Deal to look so much like Erin Sanchez (that's a friend of mine, not some obscure celebrity namedrop) or maybe a really nice aunt. Or for their drummer (sorry, I'm a Pixies fan, not a Pixies FAN) to dress in a shirt and tie and white pants combo that reminded me of how athletes in High School dressed on game days . . . and when I say the guitarist, I was pretty sure he couldn't be from the original Pixies lineup because he looked too thin and cool (or "normal rockstar") compared to the rest of the band.
The Pixie's set, except for a space of about 5 minutes where the whole band left the stage after the first two songs because of some problem with the monitors, was continuous and relentless, one gentle verse/hard chorus song after another, with the occasional gentle/gentle or hard/hard number thrown in for good measure. There was pretty much no onstage banter, Kim was about the only one who spoke at all. Man, I really, really like it when bands don't talk and just rock instead. And rock they certainly did, at times their set struck me as the most bombastic thing I'd witnessed since the time I saw Jay-Z in Utah (not a joke)--the sound of the evening was big and strong, hitting hard and often and it's just a miracle of sorts that old Black Francis can howl just as well now as he did ten-plus years ago. Seriously, his "I am un chien Adalusia"s sounded as raw and bloody tonight as they do on Doolittle.
The Pixies played for a little over an hour and a half, including their encore, which was one of those sorts of encores where the band doesn't leave the stage, they just step forward to take in the applause while their roadie straightens things up a bit and then they nod at each other and play a few songs. A note on taking in the applause: I don't know that I've ever seen a rock band ever accept their applause so gratiously and earnestly. The four of them honestly looked a little touched to see the Hammerstein spilling over with people clapping and cheering for them . . . although everyone was standing anyway (it's a rock concert, you see?) there seemed to be a collective intentionality floating about that we were giving the band a standing ovation. And they deserved it, it was just a plenty solid, plenty good rock show where the band played the songs people wanted to hear (well, I would've really dug a little "Head On" and "Planet of Sound", but I've no complaints [Honestly, I wasn't so suprised not to get "Head On" but no "Planet of Sound"? That struck me as odd.) (Yet we did get both versions of Wave of Mutilation . . . that's like a treat for collectors of import records or something) That they played "Broken Face" makes up for whatever I didn't get to hear, I suppose.
I could probably just go on making notes about the songs played, instead, here's what I jotted down as the setlist. No, I don't know the name of every single song, there are some question marks, there's nothing I can do about it:
Is She Weird?/Something Against You (gap where everyone left stage) Bone Machine/Cactus/I Bleed/Caribou/Dead/Broken Face(!)/U Mass/Mr. Grieves/?/?/?/Babylonia (pretty sure that isn't the name of the song, but that's what I'm going to call it)/Ed is Dead/Gouge Away/Wave of Mutilation (rockin' version)/Monkey Gone to Heaven/Crackity Jones/One of their Spanishy ones?/?/Tame/In Heaven/Wave of Mutilation (not-rockin' version)/Here Comes Your Man/?/Nimrod's Son/Vamos (featuring totally out of control extended feedback solo by guitarist)/Where Is My Mind Encore: Debaser/Gigantic
Noteworthy Concert Attenders: Mr. David Byrne sitting where I saw Bowie at Interpol (it must be their rock legend section.) And the two fratty-boys who were singing and "dancing" by us the whole time like they were having the absolute best time in the world. I bet they hooked up afterwards.
Of Minor Importance: I just want to say I totally predicted the encores, you can ask the Meddler if you don't believe me. But it wasn't any big trick, just like counting cards in a game of black jack (that's the game where you count cards, right?) Because you know that, among other classics, there's no way that the band wouldn't play Debaser or Gigantic.
And now, the Rock.
The fact that Pixies have sold-out 8 concerts (on 7 nights) at the Hammerstein Ballroom has to be some sort of record, it just has to. And the Hammerstein is a pretty big place, 8 sold-out Hammerstein gigs have got to equal one Madison Square Garden, right? But who wants to wind up in the upper reaches of the Garden when you can sneak like a coolmando right up as close to the stage as possible and witness this great early 90's four-piece in all their mid-00's glory? Let the informal concert reviewing begin.
First off, big, big line to get into the show tonight. It stretched down 34th Street in various segments, I'd never seen anything like it at the Hammerstein and don't really know what it was all about because once we got into the show it wasn't terribly crowded (and there had been a lot of people in front of us) and we were able (We? Meddling Sariah and I) to get pretty close to the stage . . . and every time someone slipped out to grab a beer, we were able to slip even closer to the stage. But, seriously, in two paragraphs pretty much all I've been able to talk about has been getting closer to the stage.
Tonight's (I'm talking about Dec 13 here) opening act was the totally old dudes from Mission of Burma, a band from like the 80s or something who I don't know anything about, but they've reunited in 2004, just like the Pixies, and they weren't bad at all. In fact, they were quite good and they really knew their place (something to hold the masses over until it was time for the Pixies) but it was clear that there were a number of certifiable Mission of Burma fans in the audience very pleased with the performance. I bet if I worked at a record store, like at a medium-cool record store ala 2nd Hand Tunes or Val's Halla Records back home in Oak Park, I would be the biggest Mission of Burma fan and I'd always be trying to get people to buy Mission of Burma or Husker Du records.
I had heard that the Pixies took the stage Sunday night at 9:15 and that's pretty much on the dot when they came out tonight. I hadn't expected Black Francis to be so fat. Or Kim Deal to look so much like Erin Sanchez (that's a friend of mine, not some obscure celebrity namedrop) or maybe a really nice aunt. Or for their drummer (sorry, I'm a Pixies fan, not a Pixies FAN) to dress in a shirt and tie and white pants combo that reminded me of how athletes in High School dressed on game days . . . and when I say the guitarist, I was pretty sure he couldn't be from the original Pixies lineup because he looked too thin and cool (or "normal rockstar") compared to the rest of the band.
The Pixie's set, except for a space of about 5 minutes where the whole band left the stage after the first two songs because of some problem with the monitors, was continuous and relentless, one gentle verse/hard chorus song after another, with the occasional gentle/gentle or hard/hard number thrown in for good measure. There was pretty much no onstage banter, Kim was about the only one who spoke at all. Man, I really, really like it when bands don't talk and just rock instead. And rock they certainly did, at times their set struck me as the most bombastic thing I'd witnessed since the time I saw Jay-Z in Utah (not a joke)--the sound of the evening was big and strong, hitting hard and often and it's just a miracle of sorts that old Black Francis can howl just as well now as he did ten-plus years ago. Seriously, his "I am un chien Adalusia"s sounded as raw and bloody tonight as they do on Doolittle.
The Pixies played for a little over an hour and a half, including their encore, which was one of those sorts of encores where the band doesn't leave the stage, they just step forward to take in the applause while their roadie straightens things up a bit and then they nod at each other and play a few songs. A note on taking in the applause: I don't know that I've ever seen a rock band ever accept their applause so gratiously and earnestly. The four of them honestly looked a little touched to see the Hammerstein spilling over with people clapping and cheering for them . . . although everyone was standing anyway (it's a rock concert, you see?) there seemed to be a collective intentionality floating about that we were giving the band a standing ovation. And they deserved it, it was just a plenty solid, plenty good rock show where the band played the songs people wanted to hear (well, I would've really dug a little "Head On" and "Planet of Sound", but I've no complaints [Honestly, I wasn't so suprised not to get "Head On" but no "Planet of Sound"? That struck me as odd.) (Yet we did get both versions of Wave of Mutilation . . . that's like a treat for collectors of import records or something) That they played "Broken Face" makes up for whatever I didn't get to hear, I suppose.
I could probably just go on making notes about the songs played, instead, here's what I jotted down as the setlist. No, I don't know the name of every single song, there are some question marks, there's nothing I can do about it:
Is She Weird?/Something Against You (gap where everyone left stage) Bone Machine/Cactus/I Bleed/Caribou/Dead/Broken Face(!)/U Mass/Mr. Grieves/?/?/?/Babylonia (pretty sure that isn't the name of the song, but that's what I'm going to call it)/Ed is Dead/Gouge Away/Wave of Mutilation (rockin' version)/Monkey Gone to Heaven/Crackity Jones/One of their Spanishy ones?/?/Tame/In Heaven/Wave of Mutilation (not-rockin' version)/Here Comes Your Man/?/Nimrod's Son/Vamos (featuring totally out of control extended feedback solo by guitarist)/Where Is My Mind Encore: Debaser/Gigantic
Noteworthy Concert Attenders: Mr. David Byrne sitting where I saw Bowie at Interpol (it must be their rock legend section.) And the two fratty-boys who were singing and "dancing" by us the whole time like they were having the absolute best time in the world. I bet they hooked up afterwards.
Of Minor Importance: I just want to say I totally predicted the encores, you can ask the Meddler if you don't believe me. But it wasn't any big trick, just like counting cards in a game of black jack (that's the game where you count cards, right?) Because you know that, among other classics, there's no way that the band wouldn't play Debaser or Gigantic.
Monday, December 13, 2004
Best Monday Morning Journal Entry
I'm just a few hours from taking my Corporations final. You know you're in a weird spot when you're thinking "I can't wait to get this Corporations final out of the way, because then I get to study for Evidence, and I bet that'll be really fun." Also, a good reason for me to be looking forward to this test being done is that tonight I'm going to see the Pixies. I've barely been able to think about this concert since finals started, but I imagine that, had I been thinking about it, I'd be pretty excited. But, instead, I've been studying and haven't even been reviewing my Pixies CDs, as I should . . . I mean, I've been memorizing the details of the Williams Act when I should be making sure I've got the words to "Monkey Gone to Heaven" memorized. Oh well. I'm just glad I remembered I had tickets for the show (I bought them back in August, afterall). Last Monday I had tickets to see Bill Clinton here at school and completely, totally forgot to go. I was walking down the street and saw all these big, black Suburbans and baricades and I'm all "Hmm, looks like someone important is at the Kimmel Center . . . I wonder who?" And then it occurred to me. And then I slapped my forehead really hard.
In about 8 days you won't have to hear me talking about finals anymore. I know. It's been rough for all of us.
In about 8 days you won't have to hear me talking about finals anymore. I know. It's been rough for all of us.
Saturday, December 11, 2004
Best Return to the Land of the Living
Earlier this week a little dream of mine came true, I got an invitation to a dinner from Mary Benac. It seems friends of mine are always being invited to dine with Mary and Ram, so I was pretty excited to have the opportunity to be counted among the ranks of "Those Who Have Dined with Mary and Ram." And the occasion of the dinner itself, the celebration of the recent birthday of Ms. Emily Kunz, Esq., was something I was definitely willing to support, too. And since I took my first final today and I had spent the week in near-complete study lockdown, I felt I deserved a little socializing.
The dinner was at Jules, a fake French bistro run by real French people on St. Marks place. A little advance research had me a bit worried about the quality of the food to be had, but I'm happy to report that the food was fine, the conversation was lively, and the lighting of the restaurant inspired the taking of poorly-lit photos of people who've never been on Steady Mobbin' before.
Counted among the revelers were the incomparable Molly Ryan
and the one-and-only Tina Baker. (With Myung and Alexandria chatting in the background.)
Here are Mary and Ram starring in something I like to call "The Best Underexposed Photo Ever Taken"
And this is a Perrier bottle with candles and Emily poking at her palm pilot in the background.
Mary gave me one of her scallops. I hope this photo adequately expresses the joy I derived from her generosity and the thrill of the taste of that little butter-drenched mollusk. I wonder: is there a difference between a scallop and a sea scallop? You see a lot of "sea scallops" on menus these days. (Also: note finals-related facial hair situation)
Here are Mary, Emily, and Alexandria outside of the restaurant. Considering that the dinner was in honor of Emily and everything, I sure should've gotten more pictures of her. Please, don't sue me. (Funny, I'd usually consider myself above such a lame little law joke [or is such an otiose attempt really even classifiable as a "joke"?])
Afterwards there was a little after-party dessert action at, man, I forgot the name . . . an old, famous Italian dessert place at 1st and 11th. There I was served a tiny little cheesecake sitting atop a coffee lid. Now I am at home, ready to go to bed and wake up tomorrow to totally study corporations with all my might non-stop until Monday afternoon.
Also the first time someone asked me how my final went today I nearly answered "Piece of sweat, no cake." Seriously. Is that a Spoonerism? Or some other sort of transposition?
To my dinner companions If any of you want big versions of any of these dark but awesome photos, let me know.
The dinner was at Jules, a fake French bistro run by real French people on St. Marks place. A little advance research had me a bit worried about the quality of the food to be had, but I'm happy to report that the food was fine, the conversation was lively, and the lighting of the restaurant inspired the taking of poorly-lit photos of people who've never been on Steady Mobbin' before.
Counted among the revelers were the incomparable Molly Ryan
and the one-and-only Tina Baker. (With Myung and Alexandria chatting in the background.)
Here are Mary and Ram starring in something I like to call "The Best Underexposed Photo Ever Taken"
And this is a Perrier bottle with candles and Emily poking at her palm pilot in the background.
Mary gave me one of her scallops. I hope this photo adequately expresses the joy I derived from her generosity and the thrill of the taste of that little butter-drenched mollusk. I wonder: is there a difference between a scallop and a sea scallop? You see a lot of "sea scallops" on menus these days. (Also: note finals-related facial hair situation)
Here are Mary, Emily, and Alexandria outside of the restaurant. Considering that the dinner was in honor of Emily and everything, I sure should've gotten more pictures of her. Please, don't sue me. (Funny, I'd usually consider myself above such a lame little law joke [or is such an otiose attempt really even classifiable as a "joke"?])
Afterwards there was a little after-party dessert action at, man, I forgot the name . . . an old, famous Italian dessert place at 1st and 11th. There I was served a tiny little cheesecake sitting atop a coffee lid. Now I am at home, ready to go to bed and wake up tomorrow to totally study corporations with all my might non-stop until Monday afternoon.
Also the first time someone asked me how my final went today I nearly answered "Piece of sweat, no cake." Seriously. Is that a Spoonerism? Or some other sort of transposition?
To my dinner companions If any of you want big versions of any of these dark but awesome photos, let me know.
Thursday, December 09, 2004
Best Setting of the Bar for Crazy
So, here's the Willy Wonka and the Chocolate Factory trailer. Tim Burton and Johnny Depp are clearly out to prove that they can still do weird. And how. From now on, instead of asking people "Are you on crack?", I'm going to ask them "Are you the Willy Wonka trailer?"
I didn't mean to set out on always posting Willy Wonka news, it just sort of happened.
And Here's something almost as disturbing: I was home for a minute this afternoon and caught a bit . . . okay, almost all of this new show (or maybe its a one-shot?) called "John Mayer Has a TV Show." First off, John Mayer? Probably the musician I'd least like to be listening to ever, but we all know he has a tiny bit of cred because he did that one skit about white people dancing with Dave Chapelle, right? Well, if there's a white version of Chapelle's Show, it might be John Mayer Has a TV Show. Seriously, and I know I sound stupid saying that. But it was full of good jokes, like John Mayer taking Trick Daddy to Nashville to get into country music, or John Mayer wearing a bear suit making fun of "John Myer" fans in the parking lot before one of his shows, or John Mayer rounding up some teenage fans for a focus group to rework his image. Uhm, I guess you sort of had to be there. Here's a description of the show from the VH1 website. Nothing I read on it seemed to have any relation to what I saw on TV this afternoon.
I didn't mean to set out on always posting Willy Wonka news, it just sort of happened.
And Here's something almost as disturbing: I was home for a minute this afternoon and caught a bit . . . okay, almost all of this new show (or maybe its a one-shot?) called "John Mayer Has a TV Show." First off, John Mayer? Probably the musician I'd least like to be listening to ever, but we all know he has a tiny bit of cred because he did that one skit about white people dancing with Dave Chapelle, right? Well, if there's a white version of Chapelle's Show, it might be John Mayer Has a TV Show. Seriously, and I know I sound stupid saying that. But it was full of good jokes, like John Mayer taking Trick Daddy to Nashville to get into country music, or John Mayer wearing a bear suit making fun of "John Myer" fans in the parking lot before one of his shows, or John Mayer rounding up some teenage fans for a focus group to rework his image. Uhm, I guess you sort of had to be there. Here's a description of the show from the VH1 website. Nothing I read on it seemed to have any relation to what I saw on TV this afternoon.
Wednesday, December 08, 2004
Best Short Little List of Complaints
1) If you use Hotmail, and usually get emails from me, guess what? I've been getting all these emails telling me that stupid Hotmail doesn't want to accept my emails. So it's not like I hate you, it's like Hotmail hates me.
2) Looks like I have to re-install Windows on my PC tomorrow. Because I have a test to take Friday morning. And I'll need that my computer works by then. I've been backing that cursed thing up all night. No wonder I named it "the Stepchild."
3) They were filming a new TV show, "Jonny Zero", by school on 3rd Street. I'd be upset that I didn't have my camera with me, but it didn't look so cool.
4) My jeans are full of holes. They're just falling apart. Now I need another pair of jeans . . . again. And jeans are expensive in this town.
5) There was this weirdo standing in front of me in line at Kentucky Fried Chicken today and it took forever for him to order. Usually, if something goes wrong at Kentucky Fried Chicken, they give me an extra biscuit. I didn't get one tonight. And that's the complaint, because the guy that took forever to order was weird, but funny.
6) Phase One of my Totally Awesome Christmas Present for Everyone has been completed, and it is a success. This is not a complaint, in fact, it is the opposite of a complaint. Because I want to end on a high note. And believe me, should you get to partake in the Totally Awesome Christmas Present for Everyone, the note is very, very high.
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